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Japanese Horror Cinema and Deleuze - Interrogating and Reconceptualizing Dominant Modes of Thought (Paperback)
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Japanese Horror Cinema and Deleuze - Interrogating and Reconceptualizing Dominant Modes of Thought (Paperback)
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Using theories of national, transnational and world cinema, and
genre theories and psychoanalysis as the basis of its argument,
Japanese Horror Cinema and Deleuze argues that these understandings
of Japanese horror films can be extended in new ways through the
philosophy of Deleuze. In particular, the complexities and nuances
of how films like Ju-On: The Grudge (2002), Audition (1999) and
Kairo (2001) (and beyond) form dynamic, transformative global
networks between industries, directors and audiences can be
considered. Furthermore, understandings of how key horror tropes
and motifs apply to these films (and others more broadly), such as
the idea of the “monstrous-feminine”, can be transformed,
allowing these models to become more flexible.
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