The poems in Rachel Hadas's new book are united by a common
preoccupation with passage--passage variously construed. In Section
I, the four seasons are glimpsed in turn through the lenses of
several types of personal associations, especially parenthood. As
spring gives way to fall and winter, separation looms; diverse
kinds of temporary and permanent renewal come with spring, and the
fifth poem in this section steps outside this cycle. In Section II,
the phrase "pass it on" recalls the game "telephone," in which a
word is whispered by one speaker to another. Here the poems focus
on tradition, primarily as it is transmitted through teaching, but
also through art and again parenthood. Thoughts on teaching
specific texts (the Iliad, Dickinson's poems, Sophocles'
Philoctetes) alternate with more personal moments of contemplation.
Finally, in Section III "pass it on" comes to signify
transition--whether between spring and summer, city and country,
youth and age, presence and absence, or life and death.
From "Three Silences": Of all the times when not to speak is
best, mother's and infant's is the easiest, the milky mouth still
warm against her breast.
Before a single year has passed, he's well along the way:
language has cast its spell. Each thing he sees now has a tale to
tell.
A wide expanse of water-cean. Look Next time, it seems that
water is a brook. The world's loose leaves, bound up into a
book.
Originally published in 1989.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
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