Gender in Chinese Music draws together contributions from
ethnomusicologists, anthropologists, and literary scholars to
explore how music is implicated in changing notions of masculinity,
femininity, and genders "in between" in Chinese culture. Village
ritualists, international classical pianists, pop idols, and
professional mourners -- whether they perform in temples, on
concert stages, or in TV shows, Chinese musicians continually
express and negotiate their gendered identities. Gender in Chinese
Music brings together contributions from ethnomusicologists,
anthropologists, and literary scholars to explore how gender is not
only manifested in the diverse musical traditions of Chinese
culture but also constructed through performing and observing these
traditions. Individual chapters examine unique music cultures
ranging from those of courting couples in China's heartlands to
ethnic minority singers in the borderlands, and from Ming-period
courtesans to contemporary karaoke hostesses. The book also
features interviews with musicians, music industry workers, and
fans talking about gender. With its wide-ranging subject matter and
interdisciplinary approach, this volume will be an important
resource for researchers and students interested in how music is
implicated in the changing notions of masculinity, femininity, and
genders "in between." Contributors: RuardAbsaroka, Rachel Harris,
Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan
Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao
Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the
Music of China and Central Asia at SOAS, University of London.
Rowan Pease is Senior Teaching Fellow at SOAS, University of
London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway,
University of London.
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