Counterpractice highlights a generation of women who used art to
define a culture of experimental thought and practice during the
period of the French women's movement or Mouvement de Liberation
des Femmes (1970-81). It considers women's art in relation to some
of the most exciting thinkers to have emerged from the French
literature and philosophy of the 1970s - Helene Cixous, Luce
Irigaray and Julia Kristeva - forcing a timely reconsideration of
the full spectrum of revolutionary practices by women in the years
following the events of May '68. Lavishly illustrated with over 200
images, the book also features an illuminating foreword by art
historian Griselda Pollock. -- .
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