When Emerson began these journals in June of 1838, he "had
achieved initial success in each of his main forms of public
utterance. The days of finding his proper role and public voice
were now behind him...and his...personal life had healed from
earlier wounds." Now he was married to Lydia Jackson of Plymouth
and was the father of a young son, Waldo. They lived in a large,
comfortable house in Concord, only a half-day's drive from Boston
but close to the solitude of nature. Still to come was the
controversy he would create by his address to the graduating class
at Harvard Divinity School an address in which he would say that
the Divinity School trained ministers for a dead church. These
journals record his responses to the severe criticism and trace his
struggles as he overcame the stings of attack with a growing
confidence in himself as a thinker, lecturer, and writer.
In addition to introspective writings, the journals contain
Emerson's observations on his reading, on his country, especially
during the presidential campaign of 1840, on Slavery' on art and
nature, on religion and the need for a new understanding of its
meaning, and on love. His relations with such close friends as
Bronson Alcott and Margaret Fuller also are reflected here, as are
his developing friendships with Thoreau, Jones Very, Samuel Ward,
Caroline Sturgis, and William Ellery Charming, the poet.
During this period he gave three series of lectures and
published his second book, Essays, which contains some of his
greatest work-"Self Reliance," "Compensation," and "The Over-Soul."
The major workshop for Essays, these journals are indispensable for
the study of Emerson's creative processes. Many entries are
published here for the first time, including experimental lists of
topics for Essays and possibly the earliest draft of the poem "The
Sphinx."
For Emerson, the journal was one of the most important of
literary genres. His own journals not only formed his "artificial
memory," but became "a living part of him." He later wrote, "The
man is only half himself, the other half is his expression."
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