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Performance as Political Act - The Embodied Self (Hardcover)
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Performance as Political Act - The Embodied Self (Hardcover)
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Coming at a time when scarce attention is being paid to new sources
for a political impulse in the West, Performance as Political Act
seeks to re-embody the political subject, arguing that when the
mind has been dominated by mass communications as in Western
capitalism, the body emerges as a site of opposition. Martin's
study goes against the conventional wisdom of the three areas it
seeks to synthesize: politics, the performing arts, and the body.
Whereas most left political studies presuppose consciousness as
necessary for political activity, the author contends that
consciousness is inadequate without political feeling and senses
which are the province of the body. The performing arts, generally
viewed from the audience's perspective, are here seen from the
standpoint of the performers because the power of social relations,
Martin asserts, lies ultimately in performance. Finally, the body,
viewed in the relevant literature as either a natural, individual
essence or as subjugated to mind is established here as a social,
historical agent of political activity. Two distinct, yet related,
studies form the basis for Martin's contention that an alternative
politics must be based on the body engaged in performance: first,
an inside view of the making of a modern dance displays the sources
of power for a social body; and second, a comparison of political
theatre in the Soviet twenties and American sixties identifies the
way in which the body's potential for politics changes. A sustained
theoretical discussion that critiques semiotic and phenomenological
approaches to the body and outlines a body politics links the two
studies. Performing artists concerned with the political aspects of
theirwork; sociologists engaged in the study of problems of culture
and everyday life; and literary theorists involved with the
application of the tools of literary criticism to political
problems will find that the perspectives expressed in this
groundbreaking examination of the contemporary theory and history
of the body form a compelling argument for the extent to which the
body can become a source of political activity.
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