Horror films come in a wide variety of styles and subject matter.
The films examined in this study are three of the most intimate
explorations of terror in the genre. Intimate in terms of settings
(small towns and an isolated motel) and in the emotional links
between the characters and the terrors they face. In Psycho, Norman
Bates is a darker reflection of Marion Crane and Sam Loomis. They
share frustrations, fears and compulsions, albeit at different
levels of intensity. In The Birds, Melanie Daniels and her new
acquaintances in Bodega Bay share emotional problems which
sometimes impel them to act in destructive ways. Ways echoed and
then overwhelmed by violence from the natural world. Halloween
features a monster, Michael Myers, who has more in common with one
of his victims, heroine Laurie Strode, than is evident at first
glance. But beyond the link between normality and the violently
aberrant, all three films give their audiences glimpses of
emotional intimacy that is threatened and sometimes tragically
destroyed by horror that, even though rare, can rob us of what
makes life worth living.
General
Imprint: |
McFarland & Company
|
Country of origin: |
United States |
Release date: |
December 2013 |
First published: |
February 2014 |
Authors: |
Randy Rasmussen
|
Dimensions: |
229 x 152 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
220 |
ISBN-13: |
978-0-7864-7883-5 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-7864-7883-7 |
Barcode: |
9780786478835 |
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