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Songs of Sacrifice - Chant, Identity, and Christian Formation in Early Medieval Iberia (Hardcover)
Loot Price: R1,410
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Songs of Sacrifice - Chant, Identity, and Christian Formation in Early Medieval Iberia (Hardcover)
Series: AMS Studies in Music
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Between the seventh and eleventh centuries, Christian worship on
the Iberian Peninsula was structured by rituals of great
theological and musical richness, known as the Old Hispanic (or
Mozarabic) rite. Much of this liturgy was produced during a
seventh-century cultural and educational program aimed at creating
a society unified in the Nicene faith, built on twin pillars of
church and kingdom. Led by Isidore of Seville and subsequent
generations of bishops, this cultural renewal effort began with a
project of clerical education, facilitated through a distinctive
culture of textual production. Rebecca Maloy's Songs of Sacrifice
argues that liturgical music-both texts and melodies-played a
central role in the cultural renewal of early Medieval Iberia, with
a chant repertory that was carefully designed to promote the goals
of this cultural renewal. Through extensive reworking of the Old
Testament, the creators of the chant texts fashioned scripture in
ways designed to teach biblical exegesis, linking both to patristic
traditions-distilled through the works of Isidore of Seville and
other Iberian bishops-and to Visigothic anti-Jewish discourse.
Through musical rhetoric, the melodies shaped the delivery of the
texts to underline these messages. In these ways, the chants worked
toward the formation of individual Christian souls and a communal
Nicene identity. Examining the crucial influence of these chants,
Songs of Sacrifice addresses a plethora of long-debated issues in
musicology, history, and liturgical studies, and reveals the
potential for Old Hispanic chant to shed light on fundamental
questions about how early chant repertories were formed, why their
creators selected particular passages of scripture, and why they
set them to certain kinds of music.
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