This issue explores risk taken and encountered in a variety of
disciplines. The primary focus here is on the perception of risk:
its relationship to the artist's work in performance, and the
physical, cultural and political contexts in which the work takes
place.
Contributors: Lynn MacRitchie, Chrissie Iles, Jan Linders, Heiner
Muller and Robert Wilson, Tracey Warr, Ato Quayson.
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