Only once in cinema history have imported films dominated the
American market: during the nickelodeon era in the early years of
the twentieth century, when the Pathe company's 'Red Rooster' films
could be found 'everywhere.' Through extensive original research,
Richard Abel demonstrates how crucial French films were in making
'going to the movies' popular in the United States, first in
vaudeville houses and then in nickelodeons. Abel then deftly
exposes the consequences of that popularity. He shows how, in the
midst of fears about mass immigration and concern that women and
children (many of them immigrants) were the principal audience for
moving pictures, the nickelodeon became a contested site of
Americanization. Pathe's Red Rooster films came to be defined as
dangerously 'foreign' and 'alien' and even 'feminine' (especially
in relation to 'American' subjects like westerns). Their impact was
thwarted, and they were nearly excluded from the market, all in
order to ensure that the American cinema would be truly American.
"The Red Rooster Scare" offers a revealing and readable cultural
history of American cinema's nationalization, by one of the most
distinguished historians of early cinema.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
March 1999 |
First published: |
March 1999 |
Authors: |
Richard Abel
|
Dimensions: |
229 x 152 x 20mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
328 |
Edition: |
New |
ISBN-13: |
978-0-520-21478-1 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-520-21478-1 |
Barcode: |
9780520214781 |
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