In performances by Euro-Americans, Afro-Americans, Native
Americans, and Asians, Richard Schechner has examined carefully the
details of performative behavior and has developed models of the
performance process useful not only to persons in the arts but to
anthropologists, play theorists, and others fascinated (but perhaps
terrified) by the multichannel realities of the postmodern
world.Schechner argues that in failing to see the structure of the
whole theatrical process, anthropologists in particular have
neglected close analogies between performance behavior and ritual.
The way performances are created--in training, workshops, and
rehearsals--is the key paradigm for social process.
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