Das Rheingold, the opening of Wagner's four-part The Ring of the
Nibelung, stands out as more genteel and picturesque than the
others. But it immediately establishes the huge scale of the
overall work, and the extraordinary musical language that will be
displayed throughout. It is a miracle of musical history that
Wagner's 1850 conception could be brought to completion, in an
organic whole, some twenty-five years later. Stewart Spencer
discusses the way in which Wagner fuses genuine mythology with his
own invention and John Deathridge places the opera in the context
of The Ring and its century. Contents: The Beginning of 'The Ring',
John Deathridge; 'The Rhinegold' - The Music, Roger North; Language
and Sources of 'The Ring', Stewart Spencer; Das Rheingold: Poem by
Richard Wagner; The Rhinegold: English translation by Andrew Porter
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