This 1893 study of the music, instruments and dance of the world's
indigenous peoples reflects the Victorian view that human
development moved from primitive to complex along a linear
evolutionary path. Despite this standpoint, it was an important
contribution to comparative musicology in the late nineteenth
century, demonstrating the principle that studying the music of
non-European cultures and societies could help Europeans understand
their own musical tradition. On the basis of his comparative
analysis, Wallaschek developed a theory that music originated from
rhythm and dance rather than the melody of speech. His proposed
model moved forward that of Wagner, and recognised that music is
embedded as a fundamental element of social interaction. The book
describes music and instruments around the world, the role of
singing and dance, and tonality and harmony, before discussing the
origin of music and the role of heredity and external circumstances
on musicality.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!