New York's Riot is unfortunate representative of a "lost
generation" of American hard rock bands. Formed in the late '70s,
when widespread record industry recession conspired with disco's
airwave domination and headline-grabbing (but little-album-selling)
punk rock to drive even some of the decade's most successful
heavyweight dinosaurs (Black Sabbath, Kiss, etc.) to the brink of
extinction, Riot saw precious few of their contemporaries (most
notably Van Halen) actually make it through to the big time. Not so
lucky as the California quartet, Riot had to seek out a foreign
label to take a chance on their stellar eponymous debut in 1977,
and then financed a second, Narita, on their own dime before
managing to lure a still rather hesitant Capitol Records to pick it
up. Finally released in late 1979, Narita was named after the
Japanese airport controversially built on sacred ground (hence its
bizarre album cover) and contained slick but powerful hard rock --
nowhere near as combustible as VH's debut, but hardly squeaky-clean
like Boston's, either. In fact, the record's more considered
tracks, such as "Waiting for the Taking" and "Kick Down the Wall,"
were generally the ones that left something wanting, while most of
its best songs -- "49er," "Hot for Love," "Road Racin'" -- stood
upon a knife's edge between Guy Esperanza's chrome-plated,
echo-enhanced vocals and Mark Reale's razor-sharp riffs and
stinging leads. (The title track simply served up an instrumental
tour de force for the latter.) Taken as a whole, all ten songs made
for an entertaining but not exactly overpowering experience, and
though the U.K. press' warm embrace would get Riot as far as
playing the following year's inaugural Donington Monsters of Rock
Festival, they would need another trip into the studio to concoct
their definitive album, 1981's Fire Down Under. As for Narita, it
sold just poorly enough upon release to eventually be deleted from
Capitol's catalogs, yet just well enough to attain fond cult status
among hard rock collectors, whose anticipation had grown to fever
pitch by the time it was finally reissued by Rock Candy Records in
2005. ~ Eduardo Rivadavia
General
| Label: |
Rock Candy
|
| Release date: |
July 2007 |
| Originally released: |
July 2011 |
| Performers: |
Riot
|
| Dimensions: |
125 x 142 x 10mm (L x W x T) |
| Format: |
|
| Running time: |
43 minutes |
| Categories: |
Music >
Pop / Rock
Promotions
Music >
Heavy Metal
|
| LSN: |
XCC-7CB-DNE-7 |
| Barcode: |
5051068000124 |
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Disk 1
| 1 |
Waiting For The Taking |
| 2 |
49Er |
| 3 |
Kick Down The Wall |
| 4 |
Born to Be Wild |
| 5 |
Narita |
| 6 |
Here We Come Again |
| 7 |
Do It Up |
| 8 |
Hot For Love |
| 9 |
White Rock |
| 10 |
Road Racin' |
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