Seeing is Believing demonstrates that serious dramatic films
usually express deeply-running visions of life, designated as
Christian, Greek, American or skeptical. The author provides a
narrative analysis that investigates these "deep structures," the
mythic elements embedded in the films, while paying close attention
to the comprehensive meaning of the whole film, not just the themes
or implications that may be identified in the film's discrete
parts. His analysis introduces a new and exciting method of film
interpretation that developed succinctly through a narrative style
that shows how the concepts are applied to films, relying more on
understanding than memorization. The author also includes
appendices that list effective questions for use in discussing
movies, and a list of movies that work well with the book's method
of analysis.
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