Dumbocracy in America - Studies in the Theatre of Guilt, 1987-1994 (Hardcover)

A clever title for what is essentially a grab-bag collection of think pieces, reviews, and profiles by the founder of the American Repertory Theatre at Harvard and drama critic for The New Republic. Brustein (Who Needs Theatre, 1987, etc.) is a sheep in wolf's clothing. He attacks causes like multiculturalism and political correctness, but hiding beneath his tough-guy, Bill Buckley exterior is a squishy, liberal heart of gold. He fears that multiculturalism in the theater is "turning [it] into an area of entitlement rather than a place for art." He faults message-plays (what he calls "the theatre of guilt") because "the artist [is] not in a position to chastise others before exploring the darkness in his own soul." He is a classicist in drama, preferring plays in which the characters discover that (to paraphrase Shakespeare) the fault lies in themselves, not in the stars. But his taste in the theater is fairly broad: Anyone who can find common ground between the one-woman shows of sociologist/cultural critic Anna DeVeare Smith and acerbic comedian Jackie Mason can't be all bad. Brustein is also a canny critic of what motivates both theater creators and theatergoers. Of Peter Brook's lengthy production of the Mahabharata, he writes that the director seemed intent on transforming "well-padded bourgeois theatergoers into butt-weary acolytes of arcane Eastern mysteries." And Brustein is capable of turning his keen eye on more mundane affairs, writing a searing account of the Clarence Thomas hearings as high-camp theater, categorizing the roles of the unwitting senators: Alan Simpson as "Mr. Nasty Badman"; Arlen Specter as the "remorseless small-town prosecutor"; and Joseph Biden as unable to "even manage a coherent line of dialogue." To-the-point essays on the role of drama in America and, indirectly, the life and health of the arts. (Kirkus Reviews)

The theatre as mirror of our peculiar politics - this is the theme of Robert Brustein's engaging new collection of writings. In essays, reviews, and profiles, Mr. Brustein uses the prism of the American theatre to explore the motivating impulses behind rampant political correctness and to assess government efforts to regulate the arts. His complaint that the critical function of drama is now to arouse the remorse of a guilty audience is brilliantly illustrated.

General

Imprint:	Ivan R. Dee
Country of origin:	United States
Release date:	September 1994
Authors:	Robert Brustein
Dimensions:	220 x 154 x 29mm (L x W x T)
Format:	Hardcover
Pages:	285
ISBN-13:	978-1-56663-060-3
Categories:	Books > Arts & Architecture > Performing arts > Theatre, drama > General
LSN:	1-56663-060-6
Barcode:	9781566630603

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