This critical introduction to British musical theatre since 1950 is
the first book to discuss its post-war developments from the
perspective of British - as opposed to American - popular culture.
The genre is situated within the historical context of post-war
British society in order to explore the range of forms through
which significant sociocultural moments are represented.
Introductory chapters analyse the way British musicals have
responded to social change, the forms of popular theatre and music
from which they have developed and their originality in elaborating
new narrative strategies since the seventies. A key feature of the
book is its close readings of twelve key works, from Salad Days
(1954) and Oliver! (1960) to global smash hits such as Les
Miserables (1985) and The Phantom of the Opera (1986) and beyond,
including the latest critical and box-office success Matilda
(2011). Also analysed are British favourites (Blood Brothers,
1983), cult shows (The Rocky Horror Show, 1975) and musicals with a
pre-existing fan-base, such as Mamma Mia! (1999).
General
Imprint: |
Methuen Drama
|
Country of origin: |
United Kingdom |
Series: |
Critical Companions |
Release date: |
September 2016 |
Authors: |
Robert Gordon
(Professor of Theatre and Performance at Goldsmiths, University of London)
• Olaf Jubin
(Reader in Media Studies and Musical Theatre)
• Millie Taylor
(Professor of Musical Theatre)
|
Dimensions: |
216 x 138 x 23mm (L x W x T) |
Format: |
Hardcover - Cloth over boards / With dust jacket
|
Pages: |
288 |
ISBN-13: |
978-1-4725-8437-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Musical theatre
|
LSN: |
1-4725-8437-6 |
Barcode: |
9781472584373 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!