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The Fourth Ghost - White Southern Writers and European Fascism, 1930-1950 (Paperback)
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The Fourth Ghost - White Southern Writers and European Fascism, 1930-1950 (Paperback)
Series: Southern Literary Studies
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In the 1949 classic Killers of the Dream, Lillian Smith described
three racial "ghosts" haunting the mind of the white South: the
black woman with whom the white man often had sexual relations, the
rejected child from a mixed-race coupling, and the black mammy whom
the white southern child first loves but then must reject. In this
groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's
work by adding a fourth "ghost" lurking in the psyche of the white
South -- the specter of European Fascism. He explores how southern
writers of the 1930s and 1940s responded to Fascism, and most
tellingly to the suggestion that the racial politics of Nazi
Germany had a special, problematic relevance to the South and its
segregated social system. As Brinkmeyer shows, nearly all white
southern writers in these decades felt impelled to deal with this
specter and with the implications for southern identity of the
issues raised by Nazism and Fascism. Their responses varied widely,
ranging from repression and denial to the repulsion of
self-recognition. With penetrating insight, Brinkmeyer examines the
work of writers who contemplated the connection between the
authoritarianism and racial politics of Nazi Germany and southern
culture. He shows how white southern writers -- both those writing
cultural criticism and those writing imaginative literature --
turned to Fascist Europe for images, analogies, and metaphors for
representing and understanding the conflict between traditional and
modern cultures that they were witnessing in Dixie. Brinkmeyer
considers the works of a wide range of authors of varying political
stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith,
William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine
Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian
Hellman. He argues persuasively that by engaging in their works the
vital contemporary debates about totalitarianism and democracy,
these writers reconfigured their understanding not only of the
South but also of themselves as southerners, and of the nature and
significance of their art. The magnum opus of a distinguished
scholar, The Fourth Ghost offers a stunning reassessment of the
cultural and political orientation of southern literature by
examining a major and heretofore unexplored influence on its
development.
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