Joining philosophy of language with phenomenological aesthetics,
this book defines the epistemological status of abstract objects
and works of art.
Beginning with a provocative conversation between Socrates,
Plato, Wittgenstein, and Jung, the book introduces the concept, and
coins the term, "Platonic Inductive Fallacy," deriving from a cycle
of language games. The author then invokes Robert Stalnaker to
clarify the difference between real and actual objects, which gives
new insight into the epistemology of abstract objects.
Armed with defined abstract objects, the reader is taken through
a fascinating journey from 1890s aestheticism to present-day
phenomenological aesthetics. The book clearly establishes
principles and methods for defining works of art, and applies them
to two versions of a Henry James novella. The clear definitions and
inventive methods, supported with impressive, detailed research,
lead to compelling and well-taken conclusions.
This journey pays off with important and exciting results.
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