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When We Were Good - The Folk Revival (Paperback, New Ed)
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When We Were Good - The Folk Revival (Paperback, New Ed)
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When We Were Good traces the many and varied cultural influences on
the folk revival of the sixties from early nineteenth-century
blackface minstrelsy; the Jewish entertainment and political
cultures of New York in the 1930s; the Almanac singers and the
wartime crises of the 1940s; the watershed record album Folkways
Anthology of American Folk Music; and finally to the cold-war
reactionism of the 1950s. This drove the folk-song movement, just
as Pete Seeger and the Weavers were putting "On Top of Old Smokey"
and "Goodnight, Irene" on the Hit Parade, into a children's
underground of schools, summer camps, and colleges, planting the
seeds of the folk revival to come. The book is not so much a
history as a study of the cultural process itself, what the author
calls the dreamwork of history. Cantwell shows how a body of music
once enlisted on behalf of the labor movement, antifascism, New
Deal recovery efforts, and many other progressive causes of the
1930s was refashioned as an instrument of self-discovery, even as
it found a new politics and cultural style in the peace, civil
rights, and beat movements. In Washington Square and the Newport
Folk Festival, on college campuses and in concert halls across the
country, the folk revival gave voice to the generational tidal wave
of postwar youth, going back to the basics and trying to be very,
very good. In this capacious analysis of the ideologies,
traditions, and personalities that created an extraordinary moment
in American popular culture, Cantwell explores the idea of folk at
the deepest level. Taking up some of the more obdurate problems in
cultural studies--racial identity, art and politics, regional
allegiances, class differences--he shows how the folk revival was a
search for authentic democracy, with compelling lessons for our own
time.
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