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Runaway Romances - Hollywood's Postwar Tour of Europe (Hardcover)
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Runaway Romances - Hollywood's Postwar Tour of Europe (Hardcover)
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In the 1950s and early 1960s, America imagined itself young and in
love in Europe. And Hollywood films of the era reflected this
romantic allure. From a young and naive Audrey Hepburn falling in
love with Gregory Peck in "Roman Holiday" to David Lean's
"Summertime", featuring Katherine Hepburn's sexual adventure in
Venice, these glossy travelogue romances were shot on location, and
established an exciting new genre for Hollywood. As Robert Shandley
shows in "Runaway Romances", these films were not only indicative
of the ideology of the American-dominated postwar world order, but
they also represented a shift in Hollywood production values. Eager
to capture new audiences during a period of economic crisis,
Hollywood's European output utilized the widescreen process to
enhance cinematic experience. The films - "To Catch a Thief",
"Three Coins in the Fountain", and "Funny Face" among them -
enticed viewers to visit faraway places for romantic escapades. In
the process, these runaway romances captured American fantasies for
a brief, but intense, period that ended as audiences grew tired of
Old World splendors, and entered into a new era of sexual
awakening.
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