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The New Monuments and the End of Man - U.S. Sculpture between War and Peace, 1945-1975 (Hardcover)
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The New Monuments and the End of Man - U.S. Sculpture between War and Peace, 1945-1975 (Hardcover)
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How leading American artists reflected on the fate of humanity in
the nuclear era through monumental sculpture In the wake of the
atomic bombings of Japan in 1945, artists in the United States
began to question what it meant to create a work of art in a world
where humanity could be rendered extinct by its own hand. The New
Monuments and the End of Man examines how some of the most
important artists of postwar America revived the neglected
tradition of the sculptural monument as a way to grapple with the
cultural and existential anxieties surrounding the threat of
nuclear annihilation. Robert Slifkin looks at such iconic works as
the industrially evocative welded steel sculptures of David Smith,
the austere structures of Donald Judd, and the desolate yet
picturesque earthworks of Robert Smithson. Transforming how we
understand this crucial moment in American art, he traces the
intersections of postwar sculptural practice with cybernetic
theory, science-fiction cinema and literature, and the political
debates surrounding nuclear warfare. Slifkin identifies previously
unrecognized affinities of the sculpture of the 1940s and 1950s
with the minimalism and land art of the 1960s and 1970s, and
acknowledges the important contributions of postwar artists who
have been marginalized until now, such as Raoul Hague, Peter
Grippe, and Robert Mallary. Strikingly illustrated throughout, The
New Monuments and the End of Man spans the decades from Hiroshima
to the Fall of Saigon, when the atomic bomb cast its shadow over
American art.
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