This comprehensive handbook details the fundamentals and forms
of choral composition and expands upon the coverage and number of
topics in Archibald T. Davison's 1945 classic text "Choral
Composition." Historical trends in choral composition are traced
with a special emphasis on the profusion of changes that occurred
throughout the twentieth century, particularly since 1950. Early
chapters focus on characteristics of voice, notation, text,
devices, part writing, "a cappella" and instrumental
accompaniments, and choral forms. Hines goes on to analyze the
utilization of soloists and choruses with instrumental chamber
ensembles, orchestra, and the role of the chorus in opera,
operetta, musicals, and music theater. A final chapter addresses
practical concerns: music publication and how the artist can
function effectively in that world.
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