Out of a film culture originally starved of funds have emerged rich
and eclectic works by film-makers that are now achieving the
international recognition that they deserve: Barbara Albert,
Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four
examples. This comprehensive critical anthology, by leading
scholars of Austrian film, is intended to introduce and make
accessible this much under-represented phenomenon. Although the
book covers the full development of the Austrian new wave it
focuses on the period that has brought it global attention: 1998 to
the present. New Austrian Film is the only book currently available
on this topic and will be an essential reference work for
academics, students and filmmakers, interested in modern Austrian
film.
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