Dismissed by critics and academics, condemned by parents and
politicians, and fervently embraced by legions of fans, heavy metal
music continues to attract and embody cultural conflicts that are
central to society. In Running with the Devil, Robert Walser
explores how and why heavy metal works, both musically and
socially, and at the same time uses metal to investigate
contemporary formations of identity, community, gender, and power.
This edition includes a new foreword by Harris M. Berger
contextualizing the work and a new afterword by the author.
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