While the study and redefinition of the notion of authorship and
its relationship to the idea of the literary work have played a
central role in recent research on literature, semiotics, and
related disciplines, its impact on contemporary musicology is still
limited. Why? What implications would a reconsideration of the
author- and work-concepts have on our understanding of the creative
musical processes? Why would such a re-examination of these
regulative concepts be necessary? Could it emerge from a
post-structuralist revision of the notion of musical textuality? In
this book, Trillo takes the ...Bach... project, a collection of new
music based on Johann Sebastian Bach's Partita No.1 for solo
violin, BWV 1002, as a point of departure to sketch some critical
answers to these fundamental questions, raise new ones, and explore
their musicological implications.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!