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Reimagining the Promised Land - Israel and America in Post-war Hollywood Cinema (Paperback)
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Reimagining the Promised Land - Israel and America in Post-war Hollywood Cinema (Paperback)
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While Israel has seemingly been a minor presence in Hollywood
cinema, Reimagining the Promised Land argues that there is a long
history of Hollywood deploying images of Israel as a means of
articulating an idealized notion of American national identity.
This argument is developed through readings of The Ten Commandments
(Cecil B. DeMille, 1956), Ben-Hur: A Tale of the Christ (William
Wyler, 1959), Exodus (Otto Preminger, 1960), Cast a Giant Shadow
(Melville Shavelson, 1966), Black Sunday (John Frankenheimer,
1977), The Delta Force (Menahem Golan, 1986), and Munich (Steven
Spielberg, 2005). The mobilization of Israel that pervades this
eclectic group of films effectively demonstrates one of the more
surreptitious ways in which Hollywood has historically constructed
and circulated dominant notions of American national identity.
Moreover, in examining the most notable Hollywood representations
of the Jewish state, the book offers an informed historical
overview of the cultural forces that have contributed to popular
understandings within the United States of the state of Israel,
Israel’s Arab neighbours, and also the Arab-Israeli conflict.
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