Much as Nietzsche has gained in popularity during the last century,
his poetry still has not received the scholarly attention it
deserves. On closer scrutiny, his aposiopetic style, along with the
labyrinthine and self-referential nature of his writings, subtly
hint toward the recurring and parallel presence of poetry in his
writings. This fact cannot be ignored, and his poetry should
therefore be included in any reading of Nietzsche. This study
investigates Nietzsche's poetic output while simultaneously
regarding him as a poet-philosopher. This reading allows
juxtaposing all Nietzschean key concepts while avoiding the
temptation to simplify Nietzsche by centering his thought on any
particular one. The author ends by highlighting a hitherto
neglected term that allows a simultaneous reading of Nietzschean
keywords while also including the essential notions of movement,
flux, and play.
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