Vince has provided a useful and, for the most part, usable
reference work. His introduction should be required reading for
anyone approaching medieval theater. "Choice"
Scholars increasingly see medieval theatre as a complex and
vital performance medium related more closely to political,
religious, and social life than to literature as we know it.
Reflecting the current interest in performance, "A Companion to the
Medieval Theatre" presents 250 alphabetically arranged entries
offering a panoramic view of European and British theatrical
productions between the years 900 and 1550. The volume features 30
essays contributed by an international group of specialists and
includes many shorter entries as well as systematic
cross-referencing, a chronology, a bibliography, and a full
complement of indexes.
Major entries focus on the theatres of the principal linguistic
areas (the British Isles, France, Germany, Iberia, Italy,
Scandinavia, the Low Countries, and Eastern Europe), and on
dramatic forms and genres such as liturgical drama, Passion and
saint plays, morality plays, folk drama, and Humanist drama. Other
articles examine costume, acting, pageantry, and music, and explore
the theatrical dimension of courtly entertainment, the dance, and
the tournament. Short entries supply information on over one
hundred playwrights, directors, actors and antiquarians whose
contributions to the theatre have been documented. This informative
guide brings new depth to our appreciation of the richness and
color of medieval public entertainments and the symbolism and
pageantry that were a part of daily life in the Middle Ages.
Designed to appeal to general reader, this volume is also an
attractive choice for libraries serving students and scholars of
theatre history, English and European literatures, medieval
history, cultural history, drama, and performance.
General
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