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In the Place of Origins - Modernity and Its Mediums in Northern Thailand (Paperback)
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In the Place of Origins - Modernity and Its Mediums in Northern Thailand (Paperback)
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"In the Place of Origins" tells the tale of modernity in Northern
Thailand, discerning its oblique signs in the performances of
contemporary spirit mediums. In a world driven by the twin
fantasies of pastness and newness, Rosalind C. Morris reveals that
spirit mediumship is not simply a theater of atavistic tendency but
an arena in which it is possible to read the relationships between
new forms of representation and subjectivity, as well as new modes
of magic and political power.
Through her careful examination of the transformations of spirit
mediumship wrought by the mass media, Morris takes readers into the
world of the northern Thai past to discover the anticipations of
future histories. In this process, she finds new objects for
anthropological inquiry, including romantic love and epistolary
poetry. She then turns her eye toward the relationships between
commodification and prosaic form and photography and the discourses
of gendered and national identity. Attending to these issues as
they manifest themselves in the practices of mediums, Morris
describes both the mundane activities of spirit mediums and the
grand ambitions to political authority that are embodied in the
increasingly spectacular forms of possession that are becoming so
popular with both tourists and local culture brokers. "In the Place
of Origins" traverses this ground with accounts of right-wing
militarism and ritual revival during the 70s, and of the democracy
movement of 1992, when a global mass media was galvanized by images
of military repression and the spectacle of traditional ritual
power in cursing. Finally, considering the claims that mediums make
to magical power in the face of both AIDS and the Asian economic
crisis, Morris reveals the potency of extrajudicial forms of power
and violence in the late modern era.
This provocative study will interest anthropologists, historians,
Asianists, and those involved in gender, performance, media, and
literary studies.
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