Our contemporary moment is preoccupied with arbitrating 'reality'.
With the spectre of buzzwords like 'fake news' and 'post-truth' we
find a scramble to locate or fix some sort of universal 'real'
beneath what are positioned as 'fake' articulations. To engage with
this crisis, this collection argues for the importance of a new
conjuncture in communication and cultural studies of media.
Building on Hall's understanding of 'conjuncture' as a way of
grasping moments within hegemonic struggle, the essays suggest that
the current moment requires a revitalization of the concept of
conjuncture.
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