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Modernity's Ear - Listening to Race and Gender in World Music (Hardcover)
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Modernity's Ear - Listening to Race and Gender in World Music (Hardcover)
Series: Postmillennial Pop
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Inside the global music industry and the racialized and gendered
assumptions we make about what we hear Fearing the rapid
disappearance of indigenous cultures, twentieth-century American
ethnographers turned to the phonograph to salvage native languages
and musical practices. Prominent among these early "songcatchers"
were white women of comfortable class standing, similar to the
female consumers targeted by the music industry as the gramophone
became increasingly present in bourgeois homes. Through these
simultaneous movements, listening became constructed as a feminized
practice, one that craved exotic sounds and mythologized the
'other' that made them. In Modernity's Ear, Roshanak Kheshti
examines the ways in which racialized and gendered sounds became
fetishized and, in turn, capitalized on by an emergent American
world music industry through the promotion of an economy of desire.
Taking a mixed-methods approach that draws on anthropology and
sound studies, Kheshti locates sound as both representative and
constitutive of culture and power. Through analyses of film,
photography, recordings, and radio, as well as ethnographic
fieldwork at a San Francisco-based world music company, Kheshti
politicizes the feminine in the contemporary world music industry.
Deploying critical theory to read the fantasy of the feminized
listener and feminized organ of the ear, Modernity's Ear ultimately
explores the importance of pleasure in constituting the listening
self.
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