In The Building in the Text, Roy Eriksen shows that Renaissance
writers conceived of their texts in accordance with architectural
principles. His approach opens the way to wide-ranging discussions
of the structure and meaning of a variety of literary texts and
also provides new insights into the famed architectural ekphrases
of Alberti and Vasari.
Analyzing such words as "plot," "topos," "fabrica," and
"stanza," Eriksen discloses the fundamental spatial symmetries and
complexities in the writings of Ariosto, Shakespeare, and Milton,
among other major figures. Ultimately, his book uncovers and
clarifies a tradition of literary architecture that is rooted in
antiquity and based on correspondences regarded as ordering
principles of the cosmos.
Eriksen's book will be of interest to art historians, historians
of literature, and those concerned with the classical heritage,
rhetoric, music, and architecture.
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