Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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The Stuart Image - English Portraiture 1603 to 1649 (Hardcover)
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The Stuart Image - English Portraiture 1603 to 1649 (Hardcover)
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Based on a lifetime's work in the field, Sir Roy Strong offers an
expert and engaging new look at portrait painting in Stuart
England, studying the sitters as much as the artists. Sir Roy
Strong has been writing for over half a century on the painters of
the courts of James I and Charles I. While taking account of the
mass of scholarly work that has appeared during that time, this
book offers a very different approach to the subject. Until now,
the universal method has been to look at the artists, in particular
van Dyck, and to see half a century of painting through the six
years when the latter was in England. Instead, we are offered a
view based on portraits and their sitters, and particularly on the
dramatic change in their attitudes, from the still medieval (if
Protestant) aesthetic of the Elizabethan age to the ambiguity of
one which replaced that aesthetic by one based on the Catholic
baroque of European art. Portraits after all are permanent records
of how a sitter wished to be seen by posterity as well as in his or
her own period. The obsession with the painter and with attribution
has tended to obscure that very basic fact. They are inevitably
self-fashioning images that chart the new mythology not only of a
new dynasty, the Stuarts, but also of a burgeoning and assertive
aristocracy. Unlike their spectacular court masques, however, which
were gone in an evening of glory, the portraits are still with us -
or, rather, those that have survived. Through them we are able to
trace a new iconography for a new dynasty and also an aesthetic
revolution which moved away from the Elizabethan world of ambiguity
and hieroglyphs to one set in space defined by the new optics of
the Renaissance. But the title, The Stuart Image, is designed to
emphasise that above all what we see is the image and not the
reality.
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