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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art

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The Stuart Image - English Portraiture 1603 to 1649 (Hardcover) Loot Price: R771
Discovery Miles 7 710
You Save: R99 (11%)
The Stuart Image - English Portraiture 1603 to 1649 (Hardcover): Roy Strong

The Stuart Image - English Portraiture 1603 to 1649 (Hardcover)

Roy Strong

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List price R870 Loot Price R771 Discovery Miles 7 710 | Repayment Terms: R72 pm x 12* You Save R99 (11%)

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Based on a lifetime's work in the field, Sir Roy Strong offers an expert and engaging new look at portrait painting in Stuart England, studying the sitters as much as the artists. Sir Roy Strong has been writing for over half a century on the painters of the courts of James I and Charles I. While taking account of the mass of scholarly work that has appeared during that time, this book offers a very different approach to the subject. Until now, the universal method has been to look at the artists, in particular van Dyck, and to see half a century of painting through the six years when the latter was in England. Instead, we are offered a view based on portraits and their sitters, and particularly on the dramatic change in their attitudes, from the still medieval (if Protestant) aesthetic of the Elizabethan age to the ambiguity of one which replaced that aesthetic by one based on the Catholic baroque of European art. Portraits after all are permanent records of how a sitter wished to be seen by posterity as well as in his or her own period. The obsession with the painter and with attribution has tended to obscure that very basic fact. They are inevitably self-fashioning images that chart the new mythology not only of a new dynasty, the Stuarts, but also of a burgeoning and assertive aristocracy. Unlike their spectacular court masques, however, which were gone in an evening of glory, the portraits are still with us - or, rather, those that have survived. Through them we are able to trace a new iconography for a new dynasty and also an aesthetic revolution which moved away from the Elizabethan world of ambiguity and hieroglyphs to one set in space defined by the new optics of the Renaissance. But the title, The Stuart Image, is designed to emphasise that above all what we see is the image and not the reality.

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Release date: March 2023
Authors: Roy Strong
Dimensions: 240 x 170mm (L x W)
Format: Hardcover - Cloth over boards
Pages: 160
ISBN-13: 978-1-78327-720-9
Categories: Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art > General
LSN: 1-78327-720-3
Barcode: 9781783277209

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