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Books > Arts & Architecture > Music > Non-Western music, traditional & classical
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Music in West Africa - Experiencing Music, Expressing Culture (Mixed media product)
Loot Price: R2,521
Discovery Miles 25 210
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Music in West Africa - Experiencing Music, Expressing Culture (Mixed media product)
Series: Global Music Series
Expected to ship within 10 - 15 working days
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Music in West Africa is one of several case-study volumes that can
be used along with Thinking Musically, the core book in the Global
Music Series. Thinking Musically incorporates music from many
diverse cultures and establishes the framework for exploring the
practice of music around the world. It sets the stage for an array
of case-study volumes, each of which focuses on a single area of
the world. Each case study uses the contemporary musical situation
as a point of departure, covering historical information and
traditions as they relate to the present. Visit
www.oup.com/us/globalmusic for a list of case studies in the Global
Music Series. The website also includes instructional materials to
accompany each study.
Music in West Africa presents fundamental style concepts of West
African music using a focused case study of performance in Liberia,
West Africa, among the Kpelle people. The book discusses the
diversity, motifs, and structure of West African music within the
larger patterns of the region's culture, highlighting those aspects
of Kpelle music that are common to many other West African
traditions. It also describes how music and dance in West Africa
are tied to the fabric of everyday social and political life.
Kpelle musicians value musical performance where multiple
performers each contribute aspects of sound that fit together in
elaborate ways. Drawing upon her extensive fieldwork and research,
author Ruth Stone--who was raised in the Bong County region of
Liberia--centers on key stylistic elements that Kpelle performers
articulate and emphasize: faceting or breaking music into smaller
parts, layering tone colors, part-counterpart relationships in
musical structures, and time and polyrhythm. She explores
fascinating parallels to these analytic themes in the textiles and
masks of related arts and in broader cultural practices such as
greeting sequences.
Music in West Africa is enhanced by eyewitness accounts of local
performances, interviews with key performers, and vivid
illustrations. Packaged with a 70-minute CD containing examples of
the music discussed in the book, it features guided listening and
hands-on activities that encourage readers to engage actively and
critically with the music.
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