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Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 (Hardcover)
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Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 (Hardcover)
Series: Irish Studies
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In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin
Gate Theatre, which quickly became renowned for producing
stylistically and dramaturgically innovative plays in a uniquely
avant-garde setting. While the Gate's lasting importance to the
history of Irish theater is generally attributed to its
introduction of experimental foreign drama to Ireland, Van den
Beuken shines a light on the Gate's productions of several new
Irish playwrights, such as Denis Johnston, Mary Manning, David
Sears, Robert Collis, and Edward and Christine Longford. Having
grown up during an era of political turmoil and bloodshed that led
to the creation of an independent yet in many ways bitterly divided
Ireland, these dramatists chose to align themselves with an
avant-garde theater that explicitly sought to establish Dublin as a
modern European capital. In examining an extensive corpus of
archival resources, Van den Beuken reveals how the Gate Theatre
became a site of avant-garde nationalism during Ireland's
tumultuous first post-independence decades.
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