Queer Approaches in Musical Theatre introduces readers to a facet
of musicals often assumed but misunderstood: how queer approaches
in musical theatre extend deeper than fabulosity. Queerness in
musicals challenges their typical heteronormativity but also
sometimes simultaneously reinforces it. Featuring four case studies
centered around musicals such as The Book of Mormon, Cabaret, Fun
Home, La Cage aux Folles and Rent, this concise study examines the
stakes of representation in the theatrical genre most often
presumed to be openly queer. Providing readers with an
understanding of the historically-shifting terminology of
queerness, this foundational book offers a brief overview of how
queer studies informs the analysis of musicals themselves, and
introduces histories of queerness in musicals as well as methods of
how to examine the historical context, text, staging and reception
of these works.
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