This book investigates the implications of technology on
identity in embodied performance; the discussion within it forms a
forum of debate exploring the interrelationship of and between
identities in performance practices, informed by new technologies.
This collection considers how identity is formed, de-formed,
constructed, deconstructed, blurred and celebrated within diverse
approaches to technological performance practices.Digital practices
as experimental artworks and performances both serve as critique
and have an indirect affect on the social and political. The
discussions included in this collection highlight how a
redefinition of the latter term comes about in as much as they
question the very nature of our accepted ideas and belief systems
regarding new technologies. These essays demonstrate how embodied
technological practice, as with all avant-garde art, presents
itself and any analysis applied to it as an experimental extension
of the socio-political and cultural experience of an epoch.
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