From Cliff Richard to The Rolling Stones, and from The Beatles
to Plan B, pop music has been inseparable from its cinematic
exploitation. This book constitutes the first delivered examination
of the place of the pop music film in British cinematic and musical
history. It explores the way music and film have exerted a mutual
influence at an economic, social and artistic level. From The Tommy
Steele Story, a cheap and cheerful 'cash in' on what was considered
a passing fad, through Richard Lester's innovative and globally
successful Beatles vehicles and on to the Jungian artistic maze of
Mick Jagger's Performance, the 1950s and 1960s saw pop acts and
directors create an entire life-cycle for a new film genre.
Thereafter, its intermittent revivals, be it Slade in Flame or the
Spice Girls in Spice World, have kept sound and vision inseparable
in the public consciousness, revisiting and reshaping our pop and
film heritage.
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