Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
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The Art of Contact - Comparative Approaches to Greek and Phoenician Art (Hardcover)
Loot Price: R1,733
Discovery Miles 17 330
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The Art of Contact - Comparative Approaches to Greek and Phoenician Art (Hardcover)
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The proem to Herodotus's history of the Greek-Persian wars relates
the long-standing conflict between Europe and Asia from the points
of view of the Greeks' chief antagonists, the Persians and
Phoenicians. However humorous or fantastical these accounts may be,
their stories, as voiced by a Greek, reveal a great deal about the
perceived differences between Greeks and others. The conflict is
framed in political, not absolute, terms correlative to historical
events, not in terms of innate qualities of the participants. It is
this perspective that informs the argument of The Art of Contact:
Comparative Approaches to Greek and Phoenician Art. Becky Martin
reconsiders works of art produced by, or thought to be produced by,
Greeks and Phoenicians during the first millennium B.C., when they
were in prolonged contact with one another. Although primordial
narratives that emphasize an essential quality of Greek and
Phoenician identities have been critiqued for decades, Martin
contends that the study of ancient history has not yet effectively
challenged the idea of the inevitability of the political and
cultural triumph of Greece. She aims to show how the methods used
to study ancient history shape perceptions of it and argues that
art is especially positioned to revise conventional accountings of
the history of Greek-Phoenician interaction. Examining Athenian and
Tyrian coins, kouros statues and mosaics, as well as the familiar
Alexander Sarcophagus and the sculpture known as the "Slipper
Slapper," Martin questions what constituted "Greek" and
"Phoenician" art and, by extension, Greek and Phoenician identity.
Explicating the relationship between theory, method, and
interpretation, The Art of Contact destabilizes categories such as
orientalism and Hellenism and offers fresh perspectives on Greek
and Phoenician art history.
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