Looking at the emergent industries of spectacle practices in
nineteenth- and early twentieth-century mass culture, "Spectacle
Culture and American Identity" investigates the immersive energies
of American landscape and history as a fluid scene space. The
changing dynamics of the American experience are viewed in relation
to the ways entertainment technologies flourishing in spectacle
attractions communicate iconic sites and scenes. Arguing the ways
in which spectacle immersion enacts an on-going civilian dialogue
with landscape, Tenneriello uses a series of case studies featuring
panoramas, multimedia performance, theatrical spectacles,
exhibition sites, and museum dioramas to trace the country's
movement from agrarian to multinational economies.
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