This gratifying study of a phenomenon that has imprinted itself
upon the folklore of big--city life, is a joyful book focusing upon
the street performers in Washington Square Park in New York
City.
While documenting the complex expressions of street performance
in a specific outdoor environment over a period of four years,
"Drawing a Circle in a Square" gives a broad examination to the
relationship between outdoor performance and urban culture.
In this book we learn that most American cities prohibit street
performance, charging such entertainers with vagrancy or
soliciting, the performer--joyfully, cautiously,
heroically--persists.
On sidewalks throughout the country, in theaters reduced to
their barest essentials, the performer juggles, blows fire,
performs magic, and tells jokes, appealing both to our sense of
humor and to our longing for a moment of spontaneity in our
city--structured lives.
"Drawing a Circle in a Square" is the first scholarly
documentation and analysis of street performance. Based primarily
upon original research, it makes a contribution that is as much
toward a particular subject. Promoting the study of performance as
an important and valuable vehicle for inter-disciplinary research
and thought, it is a model of the kinds of research being developed
in the emerging field of performance studies.
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