Samuel Beckett directed Krapp's Last Tape on four separate
occasions: this volume offers a facsimile of his 1969
Schiller-Theater notebook. Professor Knowlson writes that in these
notes 'we see Beckett simplifying, shaping and refining, as he
works towards a realization of the play that will function well
dramatically. The material reveals a flexibility and openness of
approach often considered alien to Beckett's ways of working in the
theatre.' The Schiller notebook also contains some of the most
explicit analysis by Beckett of his own work ever revealed. The
revised text incorporates many of the changes Beckett made in the
1969 Schiller production, as well as subsequent changes in later
productions. Professor Knowlson worked closely with Beckett over
these revisions - and deviations from the original are noted and
explained in detail.
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