This is an analysis of sexual themes in the plays of Beaumont and
Fletcher, both in the context of the Jacobean theatre and in the
light of modern readings of sexuality and gender during the English
Renaissance. Sandra Clark challenges commonly-held perceptions of
Beaumont and Fletcher's work. The book is intended for
undergraduate and graduate courses on Renaissance literature,
Elizabethan and Jacobean drama, tragicomedy, gender and genre in
the Renaissance.
General
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