Kofman, a prominent French philosopher, wrote this memoir of her
life as a Jewish child under the German occupation in 1994, shortly
before she committed suicide. This is a strangely detached
recollection of what it was like to be a little girl in France
during the traumatic days of the Occupation. Kofman's father, a
Hasidic rabbi, was arrested on July 16, 1942, during the first
large round-up of French Jews and sent to Auschwitz, where he was
murdered by a kapo for refusing to work on the Sabbath. The
author's recollections begin on the ill-fated day of that round-up
and follow her life through her admission to the Sorbonne ten years
later at the age of 18. All she retains of her father besides her
memories is his fountain pen, which sat on her desk driving her to
write her own books: "Maybe all my books have been the detours
required to bring me to write about 'that.' "Kofman and her mother
managed to avoid the Nazis, hiding with friends and acquaintances.
Eventually, they settled in with a Gentile woman whom Kofman
remembers as Meme. Meme gradually won the little girl over and at
war's end tried to take custody of her. Because Kofman's
relationship with her mother was a tortured one, the child carried
a considerable weight of ambivalence at this turn of events.
Finally, her mother was forced, literally, to kidnap Kofman in
order to reclaim her. Kofman retells this story in short vignettes,
dispassionately and coolly. The result is all the more powerful for
its author's distanced voice. Smock's translation catches the tone
quite successfully. At times almost painful to read, a different
kind of Holocaust memoir and a book that, with hindsight, suggests
the fate that the author had perhaps already chosen for herself.
(Kirkus Reviews)
"Rue Ordener, Rue Labat" is a moving memoir by the distinguished
French philosopher Sarah Kofman. It opens with the horrifying
moment in July 1942 when the author's father, the rabbi of a small
synagogue, was dragged by police from the family home on Rue
Ordener in Paris, then transported to Auschwitz--"the place,"
writes Kofman, "where no eternal rest would or could ever be
granted." It ends in the mid-1950s, when Kofman enrolled at the
Sorbonne.
The book is as eloquent as it is forthright. Kofman recalls her
father and family in the years before the war, then turns to the
terrors and confusions of her own childhood in Paris during the
German occupation. Not long after her father's disappearance,
Kofman and her mother took refuge in the apartment of a Christian
woman on Rue Labat, where they remained until the Liberation. This
bold woman, whom Kofman called Meme, undoubtedly saved the young
girl and her mother from the death camps. But Kofman's close
attachment to Meme also resulted in a rupture between mother and
child that was never to be fully healed.
This slender volume is distinguished by the author's clear prose,
the carefully recounted horrors of her childhood, and the uncommon
poise that came to her only with the passage of many years.
General
Imprint: |
University of Nebraska Press
|
Country of origin: |
United States |
Series: |
Stages |
Release date: |
August 1996 |
First published: |
August 1996 |
Authors: |
Sarah Kofman
|
Translators: |
Ann Smock
|
Introduction by: |
Ann Smock
|
Dimensions: |
200 x 128 x 7mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
85 |
ISBN-13: |
978-0-8032-7780-9 |
Categories: |
Books >
Fiction >
General
|
LSN: |
0-8032-7780-6 |
Barcode: |
9780803277809 |
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