In "Red House", her third collection, Sasha Dugdale evokes the
ghosts and presences that flit about on the margins of our lives.
She finds them at the edge of towns where superstores and
allotments blur an older landscape, in Europe where emigrants leave
their gods, their neighbours, their memories 'jettisoned like old
clothes'; and across the chalk Downs of her native Sussex. She
traces the shapes that they leave through folk song, lament and
lyric poetry. Haunted by history, confronted by primal brutalities,
the poems in "Red House" proclaim the fierce, bright authenticity
that is 'all the proof we need that we're alive'.
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