Drawing upon historicist and cultural studies approaches to
literature, this book argues that the Romantic construction of the
self emerged out of the growth of commercial print culture and the
expansion and fragmentation of the reading public beginning in
eighteenth-century Britain. Arguing for continuity between
eighteenth-century literature and the rise of Romanticism, this
groundbreaking book traces the influence of new print market
conditions on the development of the Romantic poetic self.
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