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The Defence of Tradition in Brazilian Popular Music - Politics, Culture and the Creation of Musica Popular Brasileira (Paperback)
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The Defence of Tradition in Brazilian Popular Music - Politics, Culture and the Creation of Musica Popular Brasileira (Paperback)
Series: Ashgate Popular and Folk Music Series
Expected to ship within 12 - 17 working days
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Sean Stroud examines how and why MAsica Popular Brasileira (MPB)
has come to have such a high status, and why the musical tradition
(including MPB) within Brazil has been defended with such vigour
for so long. He emphasizes the importance of musical nationalism as
an underlying ideology to discussions about Brazilian popular music
since the 1920s, and the key debate on so-called 'cultural
invasion' in Brazil. The roles of those responsible for the
construction of the idea of MPB are examined in detail. Stroud
analyses the increasingly close relationship that has developed
between television and popular music in Brazil with particular
reference to the post-1972 televised song festivals. He goes on to
consider the impact of the Brazilian record industry in the light
of theories of cultural imperialism and globalization and also
evaluates governmental intervention relating to popular music in
the 1970s. The importance of folklore and tradition in popular
music that is present in both MA!rio de Andrade and Marcus
Pereira's efforts to 'musically map' Brazil is clearly emphasized.
Stroud contrasts these two projects with Hermano Vianna and ItaA
Cultural's similar ventures at the end of the twentieth century
that took a totally different view of musical 'authenticity' and
tradition. Stroud concludes that the defence of musical traditions
in Brazil is inextricably bound up with nationalistic sentiments
and a desire to protect and preserve. MPB is the musical expression
of the Brazilian middle class and has traditionally acted as a
cultural icon because it is associated with notions of 'quality' by
certain sectors of the media.
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