Previously, the academic study of Indian cinema has focused
primarily on Bollywood, despite the fact that the Tamil film
industry, based in southern India, has overtaken Bollywood in terms
of annual output. This book critically examines the cultural and
cinematic representations in Tamil cinema. The chapters outline the
cinema's history and distinctive characteristics, and proceed to
consider a number of important themes such as gender and the
portrayal of women, religion, class, sexuality, cinematic genre and
the politics of identity. Throughout, the book manages to link the
analysis to wider social, political and cultural phenomena in Tamil
and Indian society. As interest in Indian cinema grows across the
globe, Tamil Cinema is an exciting contribution to an under-studied
field, facilitating a fresh consideration of the existing body of
scholarship on Indian cinema.
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