"Postnaturalism" offers an original account of human-technological
co-evolution and argues that film and media theory, in particular,
needs to be re-evaluated from the perspective of our material
interfaces with a constantly changing environment. Extrapolating
from Frankenstein films and the resonances they establish between a
hybrid monster and the spectator hooked into the machinery of the
cinema, Shane Denson engages debates in science studies and
philosophy of technology to rethink histories of cinema, media,
technology, and ultimately of the affective channels of our own
embodiment. With a foreword by media theorist Mark B. N. Hansen.
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